{"id":4514,"date":"2025-10-27T15:03:05","date_gmt":"2025-10-27T14:03:05","guid":{"rendered":"https:\/\/longital.com\/?p=4514"},"modified":"2025-10-27T15:03:46","modified_gmt":"2025-10-27T14:03:46","slug":"frontman-cz-ticha-voda-longital-na-letosni-novince-znovu-omyva-brehy-vlastniho-sveta","status":"publish","type":"post","link":"https:\/\/longital.com\/en\/novinky\/frontman-cz-ticha-voda-longital-na-letosni-novince-znovu-omyva-brehy-vlastniho-sveta\/","title":{"rendered":"Frontman.cz: Tich\u00e1 voda Longital na leto\u0161n\u00ed novince znovu om\u00fdv\u00e1 b\u0159ehy vlastn\u00edho sv\u011bta"},"content":{"rendered":"

Po v\u00edce ne\u017e dvaceti letech spole\u010dn\u00e9 tvorby se Longital<\/a> vracej\u00ed k hudb\u011b ve sv\u00e9 nej\u010dist\u0161\u00ed podob\u011b. The Country Runs Down Its Own Shore <\/em>je album, kter\u00e9 propojuje intimitu a experiment, p\u00edsni\u010dk\u00e1\u0159stv\u00ed a zvukov\u00fd minimalismus, lidsk\u00fd dotyk a algoritmickou n\u00e1hodu. Klidn\u00e1 s\u00edla novinky plyne pozvolna, ale zanech\u00e1v\u00e1 v poslucha\u010di hlubokou stopu. Cel\u00fd \u010dl\u00e1nok n\u00e1dje\u0161 tu<\/a>.<\/strong><\/p>\n\n\n\n

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Po desce Utterly<\/em><\/strong>, kter\u00e1 nechala Longital znovu nadechnout v hravosti a jemn\u00e9 elektronick\u00e9 abstrahovanosti, p\u0159ich\u00e1z\u00ed dvojice Shina a Daniel Salontay s n\u00e1vratem k intimn\u00ed podstat\u011b sv\u00e9ho tv\u016fr\u010d\u00edho dialogu. The Country Runs Down Its Own Shore<\/em><\/strong> je jejich \u010dtrn\u00e1ctou \u0159adovou deskou, ale z\u00e1rove\u0148 jak\u00fdmsi zrcadlem k obdob\u00ed alb Teraz<\/em><\/strong> a Revoyaged<\/em><\/strong>, p\u0159\u00edpadn\u011b i desk\u00e1m, kter\u00e9 skupina nahr\u00e1la pod p\u016fvodn\u00edm n\u00e1zvem Dlh\u00e9 diely, kdy se jejich hudba stahovala k j\u00e1dru a d\u016fv\u011brnosti. Deska vydan\u00e1 na dom\u00e1c\u00edm labelu Slnko Records otev\u00edr\u00e1 nov\u00e9 vrstvy akustick\u00e9ho i duchovn\u00edho prostoru \u2013 bez zbyte\u010dn\u00e9 ok\u00e1zalosti, zato s vnit\u0159n\u00ed jistotou, \u017ee skute\u010dn\u00e1 s\u00edla Longital tkv\u00ed v jejich schopnosti zpomalit \u010das a p\u0159etavit ho ve zvuk.<\/p>\n\n\n\n

Longital v nov\u00fdch materi\u00e1lech mluv\u00ed o v\u011bdom\u00e9m \u201en\u00e1vratu k pr\u00e1ci ve dvojici\u201c a o hudb\u011b jako \u00fato\u010di\u0161ti, kter\u00e9 se neomrz\u00ed a v n\u011bm\u017e lze \u201evypnout pozornost a n\u011bco v sob\u011b objevit\u201c. Z t\u00e9to optiky p\u016fsob\u00ed The Country Runs Down Its Own Shore<\/em><\/strong> jako soust\u0159ed\u011bn\u00e1 intimn\u00ed v\u00fdprava: texty otv\u00edraj\u00ed vnit\u0159n\u00ed ot\u00e1zky byt\u00ed, radosti i pom\u00edjivosti, ale m\u00edsto patosu vol\u00ed klidn\u00fd, zduchovn\u011bl\u00fd t\u00f3n a \u201ezralou pozitivitu\u201c bez banalit. Zp\u016fsob, jak\u00fdm My joy <\/em>ti\u0161e rozsv\u011bcuje prostor a jak Pr\u00ed\u010f za mnou<\/em> p\u0159id\u00e1v\u00e1 tep a rytmiku, p\u0159itom dr\u017e\u00ed jednotn\u00fd, organick\u00fd r\u00e1m. Pom\u00e1h\u00e1 tomu i akusticko-experiment\u00e1ln\u00ed instrument\u00e1\u0159 (guqin, rezofonick\u00e1 a lap-steel kytara \u010di elektrick\u00fd \u201epropeller\u201c) a spolupr\u00e1ce s Ji\u0159\u00edm Philippem Jandou, architektem a pr\u016fkopn\u00edkem generativn\u00edho um\u011bn\u00ed, jeho\u017e vizu\u00e1l podtrhuje kontemplativn\u00ed charakter nahr\u00e1vky.<\/p>\n\n\n\n

Co na desce jako muzikanti ocen\u00edte?<\/strong><\/h5>\n\n\n\n

Hudebn\u00ed str\u00e1nka The Country Runs Down Its Own Shore<\/em><\/strong> vych\u00e1z\u00ed z typick\u00e9ho rukopisu Longital \u2013 z k\u0159ehk\u00e9ho propletence akustiky, elektroniky a hlasu, kter\u00fd se neust\u00e1le prom\u011b\u0148uje, ani\u017e by ztr\u00e1cel p\u0159irozenost. Daniel Salontay tu znovu ukazuje, jak \u0161iroce dok\u00e1\u017ee pracovat s barvou t\u00f3nu: od rezofonick\u00e9 kytary po jemn\u011b vrstven\u00e9 efekty, kter\u00e9 m\u00edsty evokuj\u00ed ozv\u011bnu ran\u00fdch desek Sigur R\u00f3s nebo sou\u010dasn\u00fdch ambientn\u00edch p\u00edsni\u010dk\u00e1\u0159\u016f typu Jos\u00e9 Gonz\u00e1leze. Shina z\u016fst\u00e1v\u00e1 \u00fast\u0159edn\u00ed silou cel\u00e9ho vyzn\u011bn\u00ed \u2013 jej\u00ed hlas je civiln\u00ed, ale p\u0159esn\u011b zac\u00edlen\u00fd, a \u010d\u00edm v\u00edc se p\u0159ibli\u017euje tichu, t\u00edm v\u00edc rezonuje. Produkce p\u016fsob\u00ed pr\u016fzra\u010dn\u011b a otev\u0159en\u011b; m\u00edsto studiov\u00e9 uhlazenosti tu dominuje p\u0159irozen\u00fd prostor, v n\u011bm\u017e sly\u0161\u00edme dech, vibrace strun i nepatrn\u00e9 zvukov\u00e9 nedokonalosti, kter\u00e9 k t\u00e9hle hudb\u011b pat\u0159\u00ed.<\/p>\n\n\n\n

Zaj\u00edmav\u00fdm momentem je i nen\u00e1padn\u00e9 pronik\u00e1n\u00ed generativn\u00edho um\u011bn\u00ed do sv\u011bta Longital. Spolupr\u00e1ce s Ji\u0159\u00edm Philippem Jandou, jeho\u017e vizu\u00e1l k Pr\u00ed\u010f za mnou <\/em>vznikl kombinac\u00ed architektonick\u00e9ho my\u0161len\u00ed a algoritmick\u00e9 obrazotvornosti, se tu odr\u00e1\u017e\u00ed sp\u00ed\u0161 v duchu ne\u017e ve form\u011b. Hudba sama jako by d\u00fdchala podle podobn\u00fdch princip\u016f \u2013 opakuje motivy, nech\u00e1v\u00e1 je samovoln\u011b rozv\u00edjet a v jist\u00e9m bod\u011b p\u0159enech\u00e1v\u00e1 tvar n\u00e1hod\u011b. M\u00edsto komponov\u00e1n\u00ed na efekt vznik\u00e1 proud zvuk\u016f, kter\u00fd se p\u0159el\u00e9v\u00e1 a p\u0159irozen\u011b m\u011bn\u00ed, jakoby m\u011bl vlastn\u00ed dech. T\u00edm se nov\u00e9 album p\u0159ibli\u017euje sou\u010dasn\u00fdm trend\u016fm ambientn\u00ed a experiment\u00e1ln\u00ed p\u00edsni\u010dk\u00e1\u0159sk\u00e9 tvorby, ale z\u00e1rove\u0148 z\u016fst\u00e1v\u00e1 hluboce osobn\u00ed \u2013 zako\u0159en\u011bn\u00e1 v poetice dvojice, kter\u00e1 v\u017edy hledala rovnov\u00e1hu mezi lidsk\u00fdm dotykem a abstraktn\u00edm prostorem.<\/p>\n\n\n\n

The Country Runs Down Its Own Shore<\/em><\/strong> uzav\u00edr\u00e1 dal\u0161\u00ed kruh v p\u0159\u00edb\u011bhu Longital \u2013 n\u00e1vrat k p\u016fvodn\u00ed dvojici se prom\u011b\u0148uje v tichou oslavu vz\u00e1jemnosti, \u010dasu a prostoru, kter\u00fd mezi sebou um\u00ed sd\u00edlet jen ti, kdo spolu tvo\u0159\u00ed cel\u00fd \u017eivot. V dob\u011b, kdy v\u011bt\u0161ina desek bojuje o pozornost, tahle si ji zkr\u00e1tka ne\u017e\u00e1d\u00e1 \u2013 ona ji p\u0159irozen\u011b p\u0159itahuje. (Pavel Zelinka)<\/p>","protected":false},"excerpt":{"rendered":"

Po v\u00edce ne\u017e dvaceti letech spole\u010dn\u00e9 tvorby se Longital vracej\u00ed k hudb\u011b ve sv\u00e9 nej\u010dist\u0161\u00ed podob\u011b. Krajina be\u017e\u00ed dolu vlastn\u00fdm brehom je album, kter\u00e9 propojuje intimitu a experiment, p\u00edsni\u010dk\u00e1\u0159stv\u00ed a zvukov\u00fd minimalismus, lidsk\u00fd dotyk a algoritmickou n\u00e1hodu. Klidn\u00e1 s\u00edla novinky plyne pozvolna, ale zanech\u00e1v\u00e1 v poslucha\u010di hlubokou stopu. Cel\u00fd \u010dl\u00e1nok n\u00e1dje\u0161 tu. Po desce Do\u010dista, kter\u00e1 nechala Longital znovu nadechnout v […]<\/p>\n","protected":false},"author":4,"featured_media":4400,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novinky"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t